Presents a definitive statement on l'humour noir, one of the seminal concepts of Surrealism. This title offers an anthology of the writers the author most admires. It discusses the acerbic aphorisms of Swift, Lichtenberg and Duchamp, the theatrical slapstick of Christian Dietrich Grabbe, the wry missives of Rimbaud, and the manic paranoia of Dali.
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