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Haircuts by Children and Other Evidence for a New Social Contract
Hoofdkenmerken
Auteur: Darren O'Donnell
Titel: Haircuts by Children and Other Evidence for a New Social Contract
Uitgever: ACP - Coach House
ISBN: 9781770564770
ISBN boekversie: 9781552453377
Prijs: € 9,58
Verschijningsdatum: 18-01-2018
Inhoudelijke kenmerken
Categorie: Children's Studies
Taal: English
Imprint: Coach House Books
Technische kenmerken
Verschijningsvorm: E-book
 

Inhoudsopgave:

A cultural planner's immodest proposal: change how we think about children and we just might change the world. We live in an ‘adultitarian’ state, where the rules are based on very adult priori- ties and understandings of reality. Young people are disenfranchised and power- less; they understand they’re subject to an authoritarian regime, whether they buy into it or not. But their unique perspectives also offer incredible potential for social, cultural and economic innovation. Cultural planner and performance director Darren O’Donnell has been collaborating with children for years through his company, Mammalian Diving Reflex; their most well-known piece, Haircuts by Children (exactly what it sounds like) has been performed internationally. O’Donnell suggests that working with children in the cultural industries in a manner that maintains a large space for their participation can be understood as a pilot for a vision of a very different role for young people in the world – one that the UN Committee on the Rights of the Child considers a ‘new social contract.’ Haircuts by Children is a practical proposal for the inclusion of children in as many realms as possible, not only as an expression of their rights, but as a way to intervene in the world and to disrupt the stark economic inequalities perpetuated by the status quo. Deeply practical and wildly whimsical, Haircuts by Children might actually make total sense. ‘No other playwright working in Toronto right now has O’Donnell’s talent for synthesizing psychosocial, artistic and political random thoughts and reflections into compelling analyses ... The world (not to mention the theatre world) could use more of this, if only to get us talking and debating.’ – The Globe and Mail
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