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Art historians, biographers, and other researchers have long drawn on Van Goghâs voluminous correspondenceâmore than eight hundred lettersâfor insights into both his personal struggles and his art. But the letters, while often admired for their literary quality, have rarely been approached as literature. In this volume, Patrick Grant sets out to explore the question, âBy what criteria do we judge Van Gogh's letters to be, specifically, literary?â Drawing, especially, on Mikhail Bakhtinâs conceptualization of self-awareness as an ongoing dialogue between âselfâ and âother,â Grant examines the ways in which Van Goghâs letters raise, from within themselves, questions and issues to which they also respond. Their literary quality, he argues, derives in part from this âdouble-voiced discourseââfrom the power of the letters to thematize, through their own internal dialogues, the very structure of self-fashioning itself. Far from merely reproducing the narrative of the artistâs personal progress, âthe letters enable readers to recognize how necessary yet open-ended, constrained yet liberating, confined yet unpredictable, are the means by which people seek to shape a place for themselves in the world.â This volume builds on Grantâs earlier analysis of Van Goghâs correspondence, The Letters of Vincent van Gogh: A Critical Study (AU Press, 2014), a study in which he approached the letters from a literary critical standpoint, delving into key patterns of metaphors and concepts. In the present volume, he provides instead a literary theoretical analysis of the letters, one that draws them more fully into the domain of modern literary studies. In his deft and keenly perceptive reading, Grant deconstructs the binaries that surface in both Van Goghâs writing and painting, discusses the narrative dimensions of the letter-sketches and the recurring themes of fantasy, belief, and self-surrender, and draws attention to Van Goghâs own understanding of the permeable boundary between words and visual art. Viewing the letters as an integrated body of discourse, âMy Own Portrait in Writingâ offers a theoretically informed interpretation of Van Goghâs literary achievement that is, quite literally, without precedent. |
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