Inhoudsopgave:
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Through intensive fieldwork lasting over eighteen months, this book demonstrates that the stand-up comedy venue is a dynamic space where social actors contest and reproduce dominant understandings of race, class, and gender in ways that transcend the joke-work performed on stage. Situated within the intersections of popular culture, urban ethnography, and critical race theory, this book is sure to appeal to a variety of academics, students, and general readers. |
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