This book provides an in-depth study of Bette Davis, Joan Fontaine, Kim Novak and Meryl Streep, and the treatment of adultery in their films. The periods discussed cover Davisâs work in 1937 to 1943, Fontaineâs work between 1939 and 1950, Novak in 1954 to 1964, and finally Streepâs work between 1979 and 1985.